The Pole: A Novel (Hardcover)
One of Vanity Fair's "Best Books of the Fall"
From the Nobel Prize-winning author of Disgrace, a psychologically probing, compulsively readable novel about love and the mutability of human relationships.
Renowned for his sparse yet powerful prose, J. M. Coetzee is unquestionably among the most influential—and provocative—authors of our time. With characteristic insight and a “brittle wit that forces our attention on the common terrors we don’t want to think about” (Washington Post), Coetzee here challenges us to interrogate our preconceptions not only of love, but of truth itself.
Exacting yet unpredictable, pithy yet complex, Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his “gleaming dentures,” she soon finds herself pursued and ineluctably swept into his world. As the journeyman performer sends her countless letters, extends invitations to travel, and even visits her husband’s summer home in Mallorca, their unlikely relationship blossoms, though only on Beatriz’s terms.
The power struggle between them intensifies, eventually escalating into a full-fledged battle of the sexes. But is it Beatriz who limits their passion by paralyzing her emotions? Or is it Wittold, the old man at his typewriter, trying to force into life his dream of love? Reinventing the all-encompassing love of the poet Dante for his Beatrice, Coetzee exposes the fundamentally enigmatic nature of romance, showing how a chance meeting between strangers—even “a Pole, a man of seventy, a vigorous seventy,” and a stultified “banker’s wife who occupies her days in good works”—can suddenly change everything.
Reminiscent of James Joyce’s “The Dead” in its exploration of love and loss, The Pole, with lean prose and surprising feints, is a haunting work, evoking the “inexhaustible palette of sensations, from blind love to compassion” (Berna González Harbour, El País) typical of Coetzee’s finest novels.
About the Author
Born in Cape Town, South Africa, J. M. Coetzee is the author of twenty books, including Waiting for the Barbarians, which won South Africa’s highest literary honor, the Central News Agency Award; The Life and Times of Michael K, for which Coetzee was awarded his first Booker Prize in 1983; Boyhood: Scenes from a Provincial Life, a memoir; and several essay collections. With Disgrace, Coetzee became the first author to win the Booker Prize twice. In 2003, he was awarded the Nobel Prize in Literature.
[H]aunting and surreptitiously heartfelt… In an age of virtue signaling, Coetzee has the courage to bypass every fashionable position and reassurance and, by so doing, in The Pole, to catch some emotional truth, about loneliness and bewilderment and need, that really pierces... [As] soon as I completed it, I wanted to go back and read the whole elliptical thing again…
— Pico Iyer - AirMail
[A]n unconventional Polish pianist is entranced by a woman more than two decades his junior; a relationship J.M. Coetzee elegantly shadows with that of Chopin and George Sand.
— Vanity Fair, "Best Books of the Fall"
Exquisitely elevating the fundamental influences of music and language, The Pole unequivocally affirms the often enigmatic relationships among art, love, and human experience.
— George Kendall, Booklist, starred review
[R]ich and engrossing . . . The prose is unornamented but nevertheless consistently incisive. Coetzee’s ability to render the human condition in all its vagaries is as masterful as ever.
— Publishers Weekly
The writer who reinvents the rules of the genre in which he writes is an outlaw. . . . Coetzee has been an outlaw novelist since 1973.
— Benjamin Ogden - New York Times Book Review
Coetzee may turn out to be one of the last great novelists, exalted by the intensity of his self-awareness and his willingness to make his home in a spiritual and intellectual impasse of which few of his contemporaries were even aware.
— Pankaj Mishra - Nation
[Coetzee] is a consummate withholder, one of the great masters of the unsaid and the inexplicit.
— Fintan O’Toole - New York Review of Books
Coetzee . . . writes with a scalpel-like economy of effect; his sentences are coiled springs, and the energy they release would take other writers pages to summon.
— Daphne Merkin - The New Yorker