The Dinosaur Artist: Obsession, Betrayal, and the Quest for Earth's Ultimate Trophy (Hardcover)

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In her first book, Paige Williams has given readers an irresistible story that spans continents, cultures, and millennia as she examines the question of who, ultimately, owns the past. In the tradition of The Orchid Thief, The Dinosaur Artist is a stunning work of narrative journalism about humans' relationship with natural history and a seemingly intractable conflict between science and commerce. A story that stretches from Florida's Land O' Lakes to the Gobi Desert, this pick illuminates the history of fossil collecting--a murky, sometimes risky business, populated by eccentrics and obsessives, where the lines between poacher and hunter, collector and smuggler, enthusiast and opportunist, can easily blur. 

— Emma Bauer

Description


In this 2018 New York Times Notable Book, Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man's attempt to sell a dinosaur skeleton from Mongolia--a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot).

In 2012, a New York auction catalogue boasted an unusual offering: "a superb Tyrannosaurus skeleton." In fact, Lot 49135 consisted of a nearly complete T. bataar, a close cousin to the most famous animal that ever lived. The fossils now on display in a Manhattan event space had been unearthed in Mongolia, more than 6,000 miles away. At eight-feet high and 24 feet long, the specimen was spectacular, and when the gavel sounded the winning bid was over $1 million.

Eric Prokopi, a thirty-eight-year-old Floridian, was the man who had brought this extraordinary skeleton to market. A onetime swimmer who spent his teenage years diving for shark teeth, Prokopi's singular obsession with fossils fueled a thriving business hunting, preparing, and selling specimens, to clients ranging from natural history museums to avid private collectors like actor Leonardo DiCaprio.

But there was a problem. This time, facing financial strain, had Prokopi gone too far? As the T. bataar went to auction, a network of paleontologists alerted the government of Mongolia to the eye-catching lot. As an international custody battle ensued, Prokopi watched as his own world unraveled.

In the tradition of The Orchid Thief, The Dinosaur Artist is a stunning work of narrative journalism about humans' relationship with natural history and a seemingly intractable conflict between science and commerce. A story that stretches from Florida's Land O' Lakes to the Gobi Desert, The Dinosaur Artist illuminates the history of fossil collecting--a murky, sometimes risky business, populated by eccentrics and obsessives, where the lines between poacher and hunter, collector and smuggler, enthusiast and opportunist, can easily blur.

In her first book, Paige Williams has given readers an irresistible story that spans continents, cultures, and millennia as she examines the question of who, ultimately, owns the past.

About the Author


Paige Williams is a staff writer at The New Yorker and a Mississippi native. A National Magazine Award winner for feature writing, she has had her journalism anthologized in various volumes of the Best American series, including The Best American Magazine Writing and The Best American Crime Writing. She is the Laventhol/Newsday Visiting Professor at Columbia University's Graduate School of Journalism, and has taught at schools including the University of Mississippi, New York University, the Missouri School of Journalism, and, at M.I.T., in the Knight Science Journalism program. Williams has been a fellow of The MacDowell Colony and was a Nieman Fellow at Harvard. At The New Yorker, she has written about suburban politics in Detroit, the death penalty in Alabama, paleoanthropology in South Africa, and the theft of cultural palimony from the Tlingit peoples of Alaska.

Praise For…


"Paige Williams is
that rare reporter who burrows into a subject until all of its dimensions, all
of its darkened corners and secret chambers, are illuminated. With The Dinosaur Artist,
she has done more than reveal a gripping true crime story; she has cast light
on everything from obsessive fossil hunters to how the earth evolved. This is a
tremendous book."—David Grann, #1 New York Times bestselling author of Killers of the Flower Moon

"The Dinosaur Artist is
a breathtaking feat of writing and reporting: a strange, irresistible, and
beautifully written story steeped in natural history, human nature, commerce,
crime, science, and politics. It's at once laugh-out-loud funny and
deeply sobering. I was blown away by the depth of its characters, its vivid
details, and Paige Williams' incredible command of the facts. Bottom line: this
is an extraordinary debut by one of the best nonfiction writers we've got."—Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks

"What began for [Williams] as the tale of an unusual court case
involving a rogue fossil hunter unspools in this book into a wide-ranging
examination of the ways that commercialism, ambition, politics and science
collide... As a reader, being given entry by Williams into this underworld, privy
to the secret knowledge of a black market, is a thrill.... The strange
underground world Prokopi inhabits inevitably brings us in contact with some
serious oddballs, each of whom is introduced by Williams with the economy and
evocative precision of a haiku.... the book's most memorable character may be Mongolia
itself, a rugged physical and political terrain that defies easy
generalization."—New York Times


"The Dinosaur Artist is a tale that has
everything: passion, science, politics, intrigue, and, of course, dinosaurs.
Paige Williams is a wonderful storyteller."—Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction

"The Dinosaur Artist is a triumph. With peerless prose and sharp-eyed
reporting, Paige Williams weaves a story that, even as it spans continents and
transcends geological epochs, is deeply anchored in the passion and hubris of a
rich cast of characters. Captivating, funny, and profound, it is easily
one of the strongest works of non-fiction in years."—Ed Yong, staff writer, The Atlantic; New York Times bestselling author of I Contain Multitudes

"Vivid storytelling.... A triumphant book."—Publishers Weekly

"An astonishing tangle of financial gain, national identity, scientific
fervour and, above all, the obsessional need to possess pieces of the past."—Nature

"Williams's writing is often
concise and evocative.... [The Dinosaur Artist] is gripping and
cinematic."—Wall Street Journal


"A tale so expansive that
Nicolas Cage, Preet Bharara, and a colossal carnivorous dinosaur that lived
some 70 million years ago are all entangled in its web. That alone should pique
your curiosity, but it barely scratches the surface of the paleontological true
crime story that unfolds in The Dinosaur Artist by Paige Williams."—Vice

"Williams writes elegantly on the importance of fossils to science."—NPR

"The Dinosaur Artist is about a poached fossil
and the folks--paleontologists and commercial fossil hunters--who try to
protect and possess natural history. [Paige Williams'] layering of science upon
story is so crafted that the book itself could pass as a geological act."—The Paris Review


"Like
a massive trove of fossils, each skeleton with dozens of stories to tell, this
phenomenal book is at once natural history and a history of paleontology."—Politics & Prose


"Compelling .... absorbing.... Williams
effectively tells the story of people living out their passions."—Outside

"Williams tells the
fascinating story of the Tarbosaurus
skeleton and of how its seller, Eric Prokopi, became the most
infamous commercial fossil trader in the world.... Painstakingly detailed
reporting."—Los Angeles Review of Books


"Vivid detail.... At [The Dinosaur Artist's]
core is this friction between commercial fossil collectors ... and the scientific
community that snubs them for profiting off of a finite and priceless source of
knowledge. Williams weaves that conflict into a meaty epic spanning the history
of paleontology and the political environment that primed Mongolia for fossil
poaching."—The Verge


"As she excavates the story of a young Florida man's
obsession with dinosaur fossils and his escalating hunger for bigger and bigger
payouts, Williams uncovers a murky world of smugglers, collectors, and covert
black-market transactions."—NationalGeographic.com

"Complex and multi-layered.... Much as The Feather
Thief
did for fly-tying and The Orchid Thief did for orchid
collecting, this book exposes readers to the little known but highly lucrative
trade of finding and selling the remnants of an extinct world..... Fascinating
glimpses of paleontology, geology and mineralogy as well as the clandestine
market for dinosaur fossils.... The true strength of the book is the author's
talent in describing the characters and scenes of the tale she unravels."—Lincoln Journal Star

"The Dinosaur Artist
is a compelling, nuanced look at the surprisingly complex politics that
surround fossil collecting. It should be required reading for both
professional paleontologists and fossil enthusiasts and is a gripping
read for anyone interested in the interplay between culture, history,
and science."—Science

"The Dinosaur Artist infectiously captures mankind's
fascination with fossils as both tangible items to treasure and artifacts that
can reveal a wealth of data about the planet's prehistory, geology, zoology and
more."—Atlanta Journal-Constitution

"[Williams] skillfully navigates
this unique nexus of paleontology and law along with its notorious black
markets."—Science Friday
Product Details
ISBN: 9780316382533
ISBN-10: 0316382531
Publisher: Hachette Books
Publication Date: September 11th, 2018
Pages: 432
Language: English